Kill Your Darlings

I have been using this phrase for a long time to describe how I have to feel when I have to delete entire chapters or whole entire books to start over again for what the story needs. I did not come up with this phrase. I have been using it for years and years. It's brutal and effective. And I know it works. You have to do what is right for the story. Sometimes you write something great, really really great. You create a fully fleshed character, you craft a beautiful scene, you have a wonderful turn of phrase. And then, in the end, you realize that those things were not meant to be there.

Kill your darlings.

And I know this is how it is. Sometimes something isn't meant for this novel, this work. And there's nothing wrong with that. You cut it, you save it somewhere in your computer, on the cloud, written in a notebook, where you keep all your ideas and things that might work but don't for this. And sometimes those things come home to where they are supposed to belong. Sometimes they don't. But you do it anyway.

Kill your darlings.

This time I am struggling with it. Maybe it's because a lot of this particular novel is about things that happened to me when I was growing up. Based on my story but not my story. But since it came from something that happened to me in the past, and some of it is really good and I worked really hard to craft these scenes and build the conflict and the characters, I am having a hard time letting go of the writing I have done on it over the last nearly two years. 

Some of the sections I am cutting are going to be repurposed into flashbacks elsewhere in the novel. But the time I took to write these initial pages, the research I had to perform to make sure I got the timeframe just right, I am having a hard time letting that go. 

I'll be able to let it go. But I'm going to need some extra time for this one.

And sometimes the Central Authority will try to get one over me. 

You are clearly not good at writing. You should just quit. You worked on this novel for nearly two years and now you are going to throw away half the pages. That is not something a good writer does.

It all sounds so mean, doesn't it? Would I let someone talk to someone I love like that? Would I allow someone to treat my husband, my kids, my friends like that? The answer is obviously a resounding no.

So why do I let myself talk to me like that?

And sometimes, I get down on myself and believe the Central Authority. Because it's voice is loud, and it stands tall over me, with fists like bloody hearts, and like it's going to take some of my blood too by pummeling me if I don't just listen and stop.

Eventually I am going to stop listening to the Central Authority on this topic, for this work. I need to let it sit, and sort out how things are supposed to go together. And eventually I will be able to stand over the Central Authority and smugly smile because I made it through.

I'll kill my darlings, and live to see another day.

And you can too.

Advice Cards

 I was working on cleaning our house, eternally, and I found a box in our bedroom that had a teal plastic index card box in it. As I am now 50, I tend to keep good boxes made of all kinds of materials, because this is one of the lots in life you bear when you become 50. You keep a good box because it's a good box, and it could be handy someday.

Turns out it was already handy, because it had in it probably 200 3 x 5 index cards. Most of them were blank. About 20 of them had things written on them, taped to them.

They were from 2013-2014. This was when I was doing The Artist's Way and Vein of Gold by Julia Cameron.

I have a whole thing I think about this, and it's in one of the green notebooks I was keeping for preparing for submitting for the Hearst and I need to figure out what it was, but it wasn't all positive, but it's fine, it can go here.

The thing is, I have lots of books, in to be read piles, in bookshelves to look like I am smart because I own them, but I probably haven't touched them since I bought them and put them on said bookshelf, books, and books, and books. Both of my kids are bookworms; I tease Tabitha about them having to have no less than 4 books with them at a time: at least two they are currently reading, a back up book, and a back up back up book. I tease because I did the same dang thing when I was a kid, and I'm proud that they do it, and I also think it's cute.

The point is, I don't know where my copy of these two books went, but I do know I was working The Artist's Way during this time so I am pretty sure the index cards with the things written on them came from one of those two books as a suggestion.

Some of the index cards have quotes on them. Some of them are pictures I printed off of the internet and then scotch taped to the index card. The other side of the index card had the date it was taped or written, where it came from, maybe some other things I thought were meaningful. Except, of course, why I was doing it.

Which is important to Being Autotelic. Do you have to know why you're doing what you're doing? No, not exactly. I pick up a pen and a notebook and begin to write because I am writer. I might decide to make a painting, and I will get out my canvas (often a remnant from Walmart or Joann's (RIP) and some paints and paint because I am a painter. I get out yarn and a crochet hook and start making a blanket because it soothes my anxiety (at least until I had issues with my left arm and had to stop). The point is, I do the creating because I want to create. It's fun. It's soothing. It's what I do.

smitten: My Heart Beats in Dribbles

 I am introducing a new thing I am doing on my blog: smitten. The world is absolutely on fire, and we all need some joy and something maybe inconsequential to care about. So I want to write about the things I love that maybe might be a surprise to people that I am absolutely, ridiculously, deeply in love with.

First up, women's basketball.

Anyone who has known me for a while knows that sports has never really been my thing. I followed the Cubs because my husband is a Cubs fan (and I think it's the law if you were born in Illinois that you love a Chicago team and they are mine), I get excited about some sports sporadically (because Olympic curling and break dancing are awesome), but I never really followed anything.

Then in early 2024, Tabi decided they wanted to take a basketball class at our local rec center. She loved it. After a couple weeks, I said, 'hey, have you heard of this Caitlin Clark chick? She's on the University of Iowa's women's basketball team, and she's supposed to be really good". To which Tabi said that they did not and we agreed to check out an Iowa game because why not?

I don't recall which game was our first, but it wasn't our last. I remember Molly Davis getting hurt on March 3 and having to miss the rest of the season due to a fractured/dislocated knee, so I am going to go with that one being the first one. We watched the rest of their season, and post season and we were hooked. Tabi liked it but I LOVED it.

I devoured everything I could about women's basketball, and laughed myself silly at the Iowa Hawkeyes Women's Basketball team social media, and really developed a deep love for Kate Martin (which remains to this day).

We watched the draft and cheered for Caitlin when she got drafted to the Fever, and I went to bed early because I had to work and missed the rest of the draft. So it was only about 20 minutes later that I was scrolling socials and screamed because Kate Martin had been drafted to the Las Vegas Aces.

I subscribed to the W so I could watch all the games. Tabi and I had an unfortunately terrible experience in Minneapolis seeing the Fever play the Lynx that year (it had everything to do with Target Center being very vertical and we were at the very top), and I was able to meet my friend from college, Michelle, in Indianapolis for my first Indiana Fever game against the Dallas Wings (the game where Arike Ogunbowale got fouled out of the game--Arike is another of my favorites). 

We watched all the summer Olympic games we could and Tabi and I both screamed and absolutely lost our minds when USA beat France by a point.

We watched the first two seasons of Unrivaled, and are making plans to hopefully go to Miami in January in order to see a game.

Gainbridge Fieldhouse is a vibe--it's fun and upbeat and probably the best place to see a basketball game (outside of McLeod Center on the UNI campus of course).

Last summer I got to see the Fever play the Golden State Valkryies at Gainbridge and I finally got to see Kate Martin play in person. We weren't planning on going to any games this year, but we got an opportunity to see the Fever play at Gainbridge for the second to last home game of the season against the Mystics, and Tabi and I are going.

So, what's the deal, Toni, you might ask. Why is women's basketball your total jam?

First, it's insanely fun to see such strong amazing women play sports. I feel this way about seeing any women's sports at this point (women's professional baseball is starting up this summer and I am stupidly excited about it). 

Second, the personalities are so fun. Social media is great for this. The teams do a lot of behind the scenes where you get to see them practice, and answer silly questions and do silly things.

I realize I am an atypical women's basketball fan. I am fine with watching games after they have aired, even if I know the score already. It's not the score that is important to me, it's the story of how they got there. I also have multiple favorite teams and players. While Kate Martin is my overall favorite, I feel the need to cheer for all of the players. I would be hard pressed to find a player I don't enjoy in some manner. I will say that I think the Connecticut Sun and the Chicago Sky are boring, so I am less likely to watch them.

I am also a baby fan. This coming summer (if there's a season) will be my third WNBA season. I am, due to life reasons, not planning to go to see any games this summer, but I am definitely going to be watching. I am learning a lot--I have been devouring books and documentaries and Wikipedia pages. 'Coming Home' by Britney Griner was beautiful and sad--I am glad that she was able to come home and continue to play basketball.

There's a lot of amazing life lessons too--not giving up when things are hard; rely on your team; love your people through good times and bad.

Like this clip of A'ja Wilson talking, because if she has a hard time being who she is, as great of a player as she is, I don't know, it makes me feel better somehow--not that I feel good that she might have struggles, but that someone as good as A'ja feels like that too makes me not feel alone. 

And I know that of all the things going on in the world that basketball is not important. But it's nice to have something that isn't so life and death to love with all my heart. It gives me a break, a place where I don't have to be a mom, I don't have to deal with mental health challenges, the amount of existential dread at the moment and I can just cheer for my team.

Somehow, basketball has saved my life in the last year, and I am eternally grateful for it.

And I can't wait to see where Kate Martin ends up next.

Rough Week

 This past February, I took some days off from being a mom, my job, everything, and drove to the Quad Cities where I holed up in an AirBnB for four days and did nothing but write. I let three people know I was in town, and I saw those three people, but during the day I wrote. And wrote. And wrote.

I dissected Summer of '89, created a new list of things to work on, questions to answer, plot knots to untangle. I even created a color coded chart to track my issues (that was really for my ADHD, it doesn't really serve any other purpose than to let me color while I am working). It was a good experience. I wrote on my time, I watched basketball while doing this, and I went to see friends when I wanted to. It was glorious.

Fast forward to this past week, which has been less than glorious. I dropped Tabi off at Girl Scout camp, and drove to my AirBnB and checked in and promptly dropped into bed, exhausted. I spent the next two days attempting something that looked like writing. I did some fiddly planning and timeline work. I planned the religious lessons the campers in my novel will learn from. But I avoided the big things. I felt terrible and ended up at urgent care for no reason in the end other than I was on vacation and just didn't feel good so I wanted to make sure to nip anything in the bud that was going to be a bigger problem if I wanted until I got home.

The next day, I sat down and started working on the hard stuff. Trying to make the plot make more sense. See what is going on with the characters that I can make work better.

To put it bluntly, this writing retreat really really sucked. I was a nervous anxious mess the entire time. 

And  The Central Authority was just having a great time this week, and for some reason, I just let them have at it. I felt like shit, to put it bluntly. The Central Authority was kind enough to remind me that I am 51 years old, and I have gotten nowhere with my writing since I left college in 2005. It reminded me when I saw who the writer was that got a residency I applied for recently that I didn't get, that I won't ever get a residency until I get something published. And that won't happen until you finish a novel. And please, don't forget about making a social media presence and doing ALL THE SOCIAL MEDIA THINGS that will help grow an audience. Again, without a book to promote. Even when I remember that Social Media is a facade, and a lot of the writers who are out there have to have help in some form, whether it's someone taking care of the kids, that writer not having a job, etc., to keep them going in the background while they present this perfect writing visual in the foreground. I know a lot of writers who have busted their asses to get where they are, and it was a lot of work. But comparison really is the thief of joy, and The Central Authority really likes to steal your sunshine.

So what am I going to do with this week that The Central Authority insists that I have wasted? I am going to realize that the last year has been incredibly hard, there's been a lot of hits from the universe that have worked really hard with The Central Authority to make things even harder. I am going to realize that extra sleep and watching time shifted basketball games might be what I needed. 

I am going to pick up Tabi from Girl Scout camp in a few hours, and I know that they had the best time from the pictures. Her dad talked to them on Wednesday and she said that she was hanging out with a friend and having a great time. She got to spend time away from her family, which I know was seriously stressing her out.

We are going to check into an AirBnb after I pick them up from camp, and we have some plans for this weekend, seeing friends and family, going to a Summerween event put on by my friend, Minda, and seeing Hadestown on Monday afternoon before coming home. All while staying at a sweet place right across the street from the Mississippi River. I am hoping that she and I can have a nice time together before we have to return to real life, and slide into our first year of junior high.

I do have some things I am working on that are upcoming, so I look forward to talking about those things when I can.

Until then, I am going to attempt to keep The Central Authority busy with anything else, and just breathe. Because sometimes what your work needs the most is just breathing.

I WROTE THE ENDING TO MY NOVEL. THIS IS NOT A DRILL.

It's been since November 2024 that I have been working on Summer of '89. One and a half years. It feels longer because I have no sense of time, and because I have gone through A LOT to get to where I am today.

There's been a lot of development in this novel, of both my characters and myself. I'm not sure I have ever been so changed by something I am writing, but I hope that bodes well for anyone who might read it that it might be changing for them as well.

I have used the Save the Cat beatsheet to write the last couple novels I have been working on, and I have to say, it's been life changing too. If you are familiar with the beat sheets from Save the Cat, you know there are three acts and multiple beats within the acts. I used to just be what is called a pantser, which is a writer who just dives in without an outline or beat sheet, and I clearly needed to try something different. Someone (my perimenopausal brain ate that info) recommended this book, and I've carried it with me as my main reference since. I even got the Save the Cat Writes a Young Adult Novel because Summer of '89 is probably that genre and there are some specific things about it that I need to work with. But the original novel version is fine for most things, but there are specialty ones as well.

Anyway, back to the beat sheet. I was having issues with the 3rd act. It seemed that my main character had TWO Dark Nights of the Soul, one right after enough, and the end of the novel seemed to be on the other side of that second Dark Night of the Soul. But I was stuck. It felt weird for there to be TWO Dark Nights of the Soul. And I realized today, after months of literally struggling with it that there are definitely NOT TWO Dark Nights of the Soul for Joanie. There's one, and a distinct ending, and the other one is part of a second book.

How it took months for me to realize that is beyond me because it seems obvious. I will just blame it on perimenopause because it's making everything harder in the worst possible ways (but that's for another post).

Here's to persevering and waiting for the goods to be delivered. I am not a patient person. I often want the thing I am waiting on RIGHT NOW, like most people, and when it comes to writing, I have found that I can't always break through. That's why I have 35+ years of unpublished and unproduced novels and plays. I walk away, thinking I will come back (and sometimes I have) but still, the mountain of undone work remains. And taunts me--which again is another post.

But this time, I have remained with Summer of '89, waiting, writing myself in and out of corners, giving myself space if I need it. Luckily, applications for writer residencies and retreats have come up at the right times to give me the space I wouldn't just give myself. And life has a way of behaving badly and killing long loved cats and mother-in-laws, and also making mental health challenges for EVERYONE so that there's forced downtime. Maybe I just need to learn to listen and this wouldn't happen. Who knows, but I got through this and I have an end to my novel.

Now I just need to untangle that great wild beyond of the middle of the novel, and then we will see where we are. 

Maybe this fall.

A Scream of Love

 On Saturday, I went to the Hearst Center for the Arts and attended the first event for their 2025- 1016 Writer in Residence, Felicia Babb Cass, called "Quiet Power, True Fans". It was a really cold day, and it was surprising how many people showed up; more chairs had to be brought up to the tables and we all smooshed in a bit.

The room was filled with people who are creatives, not all of whom were writers--some of us want to be or are working toward it--but everyone there had done something creative. There were photographers and artists of all stripes there. It was an energetic room.

Felicia created a space where we could learn some basic things about figuring out marketing, which is the side of this whole writing thing I am not good at. For some one who almost went to college at the Art Institute of Chicago for music P&R, back in the day when you could get a degree in something like that, you would think I would know more about how this works. But I didn't go there, I didn't get the degree, and while I feel icky about promoting my stuff, I feel less icky about it after Felicia's program.

Felicia gave us exercises to do, questions to answer, and it all felt a lot less about demographics in terms of audience, and was more about the psychology of the writers you are trying to attract to your work. There was discussion of finding your sweet spot--the thing that is your passion and your expertise; content tilt; and audience pathways--taking a stranger to curious browser to engaged reader and finally a true fan.

It was fascinating to hear what other people thought, and while some of the people in the room are already published, some were in the process, we discovered that we all are in the same boat here, so we might as well just stay in the boat for the ride and learn from each other.

Felicia suggested that we do a 90 Day plan. She suggested choosing small concrete steps, with 'a gentle rhythm outlasting heroics'. The 90 Day Plan has three parts, visibility, engagement and deepening, and we are supposed to choose one action per category and do it. So here I am, writing about this as part of one of my actions.

I had an idea about talking to people about what they deeply and truly love, even if it's something weird or unusual that people might not think that person would be into that, or be an expert in that, or whatever. Like me with basketball. I may start there and just write about the things that truly bring me joy.

I was having a problem with a throughline from BE AUTOTELIC to smitten (which is what I am temporarily, permanently, whatever calling this), and as I was driving along this morning, from therapy to go get coffee before I had to pick up my son for his therapy, I realized the through line is love and joy, like Chuck Tingle said in a post early today 

BE AUTOTELIC is about loving what you do so much you do it no matter what. And smitten is about talking about what you love so much you are into it or do it no matter what. Love is the through line.

And based on how the world has been lately, love is going to continue to be the thing that gets us through.

Disclaimer

 I am a person living with depression, anxiety, adhd, social anxiety disorder and grief. I take medication for some of these things, I see a therapist for all of it, and I consult my psychiatrist, therapist and regular doctor when needed.

I do not have a background or education in nursing or psychology or anything related. Anything contained within my blog or comments section or that I have shared should be considered medical advice or used to replace seeing a qualified individual who can diagnose and treat. 

This blog is about things that have worked for me. Your mileage may vary. This being said, if my experiences are illuminating, I am glad to be of help.

If you need help, please call 988.

The Central Authority

While I was working on my writing samples for a recent submission, I found myself wrestling with a particular sample. It came from the middle of a novel I am working on, and there were a lot of things that happened in the novel to get to where the sample began. I was conflicted on how to make this particularly fantastic section of writing make sense to anyone who might read it outside the context of the novel.

That's what I needed, I thought. Context. Put a little paragraph at the beginning to just set the stage for the writing sample.

The Central Authority, however, had other ideas. It wasn't surprising. The Central Authority always had other ideas, along with insults and put downs.

What I call the Central Authority some people call their inner critic, the inner judge. Certainly not the thing I call my conscious, because that at least seems neutral. No, the Central Authority thinks it runs the place, feeding my self-doubt, making me feel, for lack of a better term, like absolute shit and that I can't do anything right and why should I bother?

So the Central Authority thought that putting a context paragraph was a dumb idea. It insisted that I needed to shoehorn into the sample the information that would make the sample make sense, even though I felt that that would slow down the sample and take away from the sparkle that made it a great writing sample for a submission. But as usual, I listened to the Central Authority and spent two more whole days as I was running out of time for the submission window, to attempt to do what it wanted. When I was reaching critical mass.Against my better judgement.

When I was in college, and finals would roll around, I'd grind hard to get the best grade I could (nothing less than 100% would satisfy the Central Authority). I would study, long and hard, writing, copying, until I hit a wall. My brain was full, I was tired, and I knew if I didn't know what I needed to know by that very moment, I wasn't going to know it.

The Central Authority, however, would go into straight panic mode, stirring up my anxiety, requesting more caffeine and sugar, and demanding I go until the very last minute, cramming my tired brain full.

And that's where I was with the sample, but I knew that if I continued trying to do what the Central Authority said, I might just ruin it.

Those two days trying to do the Central Authority's bidding was painful as it goaded me on. You can't be done. It's not good enough. You're not good enough. You need to keep going until it's perfect.

This is what it felt like:


Can't Help Myself


Somewhere in the comments, it said that it took this machine three days of running 24/7 to break down, cleaning up its own 'blood' while bleeding out.

That's how the Central Authority works for me.

At the end of the second day, I was panicking, running out of time, feeling absolutely terrible about myself and writing and like I should probably just quit writing, because I couldn't get this one simple sample done. Those pages on their own were just fine, but no, the Central Authority had to be right. I must be doing something wrong.

I messaged my bestie, V, and this was our exchange:



And then I discovered the first rule of Be Autotelic. I was grossed out by the word 'rule'. The word 'rule' feels very contrary to creating for the sake of being creative. So I am going to call it a Gut Instinct.

Gut Instinct #1:

Trust your voice.

When I say voice, I mean writing voice. Totally different from the Central Authority. The writing voice is sometimes quiet and soothing, sometimes shouting and raucous, doing cartwheels as you try to get down what it is saying is part of the story before doing flips into the next section.

Trust what your voice is telling you to do, even if it breaks the rules. I know I just said rules are contrary to Being Autotelic, and they are, but when it comes to writing, you do need to learn some rules. Like how stories are structured and characters are created. Then after you learn the rules, you can break them. Evaporate them. Trust your voice.

Someone out there wants your writing. Someone out there is waiting for your writing. Maybe your writing is exactly what will make them feel seen, like there's someone else out there exactly like them, and for the first time, maybe they will see they aren't alone. And there is so much power in that.



But in order to do that, you have to break the rules you've learned, defy the Central Authority, and just create.

How to Be Autotelic

Okay, so I know I said there are no rules, and really, there aren't, but there are some things that are simply true in my experience. Again, your mileage may vary.

I spoke about this here to some extent, but now I need to get on my soapbox and complain about the world.

And I realize these are first world problems, as I sit in a very nice public library while my tweens attend a tween program, in the middle of America, while the rest of the world is busy being at war, killing people, starving people, committing genocide. But I am also human, and I need to have something that is my own little thing and complaining about how art is (de)valued in this country is my jam, so just bear with me.

Amie McNee, an artist, author and speaker, wrote an AMAZING piece for Writer's Digest in March 2025, "The Case for Creating When the World is on Fire" and she said the following:

"In a world that tries to usurp and monopolize your attention, the only way to get some agency is to become a creator. Creating is an act of rebellion against a world that wants you entirely stuck to your phone...It's taken back what's been stolen from you--your time, your energy, your attention..."

You can also hear McNee speak on the topic here, and it is well worth the 15 minutes it will take.

The world does NOT want you to create, for good reason. There's not necessarily money to be made in spending your time off social media, off the internet, and not selling you things you don't need for problems you don't actually have. The more time you spend on creating something you love, the less advertising dollars there are for those who earn them.

McNee is probably my favorite writer right now. Her whole thing is "making art is activism". She explodes with "your words are powerful forces for shaping people, encouraging empathy, provoking humanity and demanding attention".

You do NOT need to monetize your existence and your creations. Maybe you crochet or knit for enjoyment. Maybe you create lovely blankets and scarves and hats, and you do this because it helps you feel better about yourself and the world and it burns your anxiety. Maybe you give these items as gifts. And at some point, you are going to hear someone gush over how beautiful your creations are (because they most definitely are). And some of those someones are going to suggest that you sell your creations. That you should set up an Etsy site and then everyone in the WORLD can buy your beautiful creations.

And there's nothing wrong with that. You can sell your creations. You get your money. That is fine.

The problem starts when you are constantly expected to monetize your creativity as a complement. Like the best thing you could possibly do with your beautiful creations is sell them. Don't give them away. Set up a table at the farmer's market. People are well meaning and then do mean this as a compliment. And yes, there is probably a need for your creations.

But if creating helps your mental health, and it feels good to just do it, when you make it your job, it can rob you of the joy you get, the encouragement you get, the happiness you get from giving your creations.

The world expects that if you create something, and you get good at it, that the next natural step is to sell it. To make your livelihood from that. And a lot of people do. But YOU DON'T HAVE TO.

Additionally, especially as you grow into an adult (which is a dang trap if you aren't already aware), you realize that you have to have a job in order to live. You need to make money to have a place to live, clothes to wear, food to eat, a way to travel to and from your job and your place to live, and money for existing. So you have to give some of your 24 hours in a day to a job. And you have to give some of your 24 hours in a day to sleep. The average is 8 hours for each (yes, I know that in this day and age that 8 hours for work alone is NOT enough for people to make basic ends met, UNIVERSAL BASIC INCOME NOW!, and all that, but for the sake of easier math, this is what I am going with. Please don't cancel me for needing math to be simple.)

So if we do 40 hours a week for work, and you do 8 hours a day for sleep, what do you do with the rest of the time? It gets even more complicated if you have to have more than one job, if you have a hobby or sport that you devote time to, and don't EVEN get me started on having a family or medical needs because this damn post will NEVER end.

So you have 604,800 seconds in a week. Try using some of those seconds to create. If you do some of those seconds consistently enough, you can build a practice.



And that, in the simplest of terms, is how you be autotelic. You take some of the seconds you don't have to use for everything else in life, you use them consistently to be creative, on your own terms.

What is Autotelic?

When I was in college and I saw on the syllabus that there would be a paper involved in the class I was taking, I was over the moon. Everyone else was groaning and grumbling, and I just sat there, giggling to myself, already planning how I was going to approach the research. First day of class, I was nerding out. I love research. I love learning.


One of the best parts of being a journalist was doing research. I loved interviewing musicians and actors and artists and writing up profiles on them based on the interview, but I also loved doing research. Getting into magazines and books, the older the better because they would smell AMAZING, reading about the subjects of my interview. I had learned how to research, what to look for, where to find the best quotes that would stand out in the small space a newsprint journalist would have to write in.


And when I had to write a paper for a class, whether it was about frogs and how the impact on their health and numbers spelled danger for humans as well, or about how The Merchant of Venice was a comedy in it's time (then it was, but now, not so much), I got out my note cards and I had an elaborate way of documenting which source was which, and made stacks and stacks of them. Then I would go back to my outline and pull out cards, stacking them all together, forming a paper I would write from the stack of cards. I went to the University of Iowa, and I enjoyed the fantastic library they have there. I would prowl the stacks, inhaling deeply the scent of books and knowledge, enjoying being in the large open room full of tables and chairs and people learning. We were working together, but seperate, and it was just exhilarating. I would spend way more hours than I would ever need to even on the shortest of paper. I should have bought stock in index card companies.


Of course, this was more than 20 years ago now, and there's lots of different ways to do research, and if I had to do research now (I still do! A lot! And it's not even always just an avoidance technique to keep from having to actually work on my writing), I would do it in a similar way except now I use notebooks instead of index cards (sometimes). But each source gets a designation so I can remember where I got the information and document properly (this is always very important).


What does that have to do with Be Autotelic? Because I had to do some research because I had NEVER heard that word before.


Back in December 2023, there was a post in the Star Trek Wholesomeposting group on FaceBook, featuring the following picture.







It's of Nana Visitor, the actor who played Colonel Kira Nyris on Star Trek Deep Space Nine. The poster had compiled a number of photos that had been autographed for his daughter who was graduating from college as a gift for her.


Visitor wrote: Be autotelic, be passionate about what you choose, speak kindly to yourself, your brain never stops growing if you focus it.


Be Autotelic. What the heck is that?


From Merriam Webster, autotelic: having a purpose in and not apart from itself.


And from Wikipedia, we learn that autotelic is from the Greek autoteles, "having an end in itself, having one's own authority, final and unconditional".


Mihaly Robert Czikszentmihalyi, the Hungarian-American psychologist, describes people who are internally driven and who exhibit a sense of purpose and curiosity as autotelic. This differs from being externally driven, having comfort, wealth, power, money or fame as their main motivating forces.


Czikszentmihalyi further writes that an autotelic person doesn't need things like wealth, fame, power or entertainment because they experience flow in all areas of life. They don't depend on external rewards. They are fully involved in living life. They are more independent and less vulnerable to manipulation.


In other words, autotelic people are like kids when they are creating. Austin Kleon, an artist who draws who wrote Steal Like an Artist, Show Your Work and the book I am quoting from, Keep Going: 10 Ways to Stay Creative in Good Times and Bad, wrote in this book about how his son when he was quite young would draw constantly. And he would make piles upon piles of drawings, and would just toss them aside when he was done. He didn't care what happened to them. Creating these drawings was the most important part, the doing.


I do have some issues with some of the ideas Czikszentmihalyi espouses. A lot of it is quite esoteric and high falutin' and feels like it's too smart for anyone to deal with. And while it sounds nice, it doesn't really jive with our world and its view on art.


And I am going to get to THAT in another post, but what I want to say here is that Be Autotelic is about creating for the sake of creating. Not to sell something, not to entertain, not to impress someone and make them fall in love with you (although I am certain that is what some people do try, particularly as a writer in Iowa City, at least 20 years ago anyway). You create to create. The end.

Creating in a World That Doesn't Want You to Create

 If you're anything like me, you might be finding it difficult to create because *gestures widely* have you seen the state of the world? The quality of existential dread is definitely *chef's kiss*. 

I used to read and write dystopian novels. Dystopian was my absolute jam. "Oryx and Crake" by Margaret Atwood and "How High We Go in the Dark" by Sequoia Nagamatsu absolutely altered me as a writer and a person. 

But now that I'm living in one? Not so much. The last piece of dystopian fiction I worked on was called 'Magical Bodies' and I really really really had hope for that one. The story was flowing and coming together, but then reality took that sharp turn (which, in retrospect, was not so sharp), and I sat with this novel in front of me, with ideas and characters ready to go and I just...couldn't. That was in 2022.

So I sat and tried to make it work, but I couldn't, and then I got depressed and what happened after that I will address in another post because it's all linked together. I just couldn't write. And it was not good. I was lost without the ability to write dystopian fiction.

I finally broke through also in 2022 with another novel, one that is still in progress, 'In Pieces'. It felt strange because 'In Pieces' took me back to the original genre I wrote in, but felt silly as a 49 year old writing in: romance. But this one had a twist, because (thankfully) I have evolved past that 13 year old who was writing in the style of V.C. Andrews and Harlequin romances: a romance about mental illness. And it was going along. Still not feeling quite correct, but at least I was writing. 'In Pieces' went on the back burner in November 2024, when I started working on 'Summer of '89'.

Then I found I was writing a Youngish Adult novel about going to summer camp in 1989, and is based in part on events that happened to me growing up in the evangelical church I grew up in and spent time going to summer camp with. I'm happy with how it's going, but I have been working on it nonstop for six months and it might be time to let it breathe a bit. Ironically, I was able to better capture this work during the winter.

So that was a long way to get back to creating in a world that doesn't want you to create.

That's what this blog is about, among other things, but I chiefly would like to have this be a place where you as someone who is actively creative or on the back burner creative, or thought you couldn't be creative because you've never done it, or you tried, and it didn't work well, but something keeps bringing you back to creating.

And for those who are still in progress, because we honestly all are still in progress. I am learning to do this thing no matter what also. 

So maybe all of us artists, whether active, on pause or wondering if they should make the creative leap, can be together and maybe work our way through this world on fire.

And you might notice that this blog has a fun, peculiar name: Autotelic. That will be my next post, but what I will say about it now is that this is what I am going to live by now. An autotelic life is what I need, and maybe, it's what you need too.